The Friday Face-Off Round One #19 – Cinema Sight by Wesley Lovell

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The Friday Face-Off Round One #19

Posted

December 20, 2019

in

Friday Face-Off

by

Wesley Lovell

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Below are our ten face-offs for this week. Each category requires you to select a certain number of films to save. For more information on how the game works, click here.

Face-Off: Best Picture #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Picture: The Deer Hunter (1978, 51st)
Picture: Platoon (1986, 59th)

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Face-Off: Best Directing #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Directing: Michael Cimino – The Deer Hunter (1978, 51st)
Directing: James L. Brooks – Terms of Endearment (1983, 56th)

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Face-Off: Best Actor #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actor: Jeremy Irons – Reversal of Fortune (1990, 63rd)
Lead Actor: Anthony Hopkins – The Silence of the Lambs (1991, 64th)

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Face-Off: Best Actress #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actress: Hilary Swank – Boys Don’t Cry (1999, 72nd)
Lead Actress: Reese Witherspoon – Walk the Line (2005, 78th)

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Face-Off: Best Supporting Actor #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actor: Donald Crisp – How Green Was My Valley (1941, 14th)
Supporting Actor: Barry Fitzgerald – Going My Way (1944, 17th)

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Face-Off: Best Supporting Actress #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actress: Kim Hunter – A Streetcar Named Desire (1951, 24th)
Supporting Actress: Eva Marie Saint – On the Waterfront (1954, 27th)

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Face-Off: Best Original Screenplay #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing (Original Screenplay) (Story and Screenplay): Darling (1965, 38th)
Writing (Original Screenplay) (Story and Screenplay): The Candidate (1972, 45th)

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Face-Off: Best Adapted Screenplay #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing (Adapted Screenplay): A Man for All Seasons (1966, 39th)
Writing (Adapted Screenplay): Midnight Cowboy (1969, 42nd)

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Face-Off: Best Song #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Song: “Whatever Will Be, Will Be (Que Sera, Sera)” – The Man Who Knew Too Much (1956, 29th)
Song: “Born Free” – Born Free (1966, 39th)

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Face-Off: Best Music #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Music (Original Score): Crouching Tiger, Hidden Dragon (2000, 73rd)
Music (Original Score): Brokeback Mountain (2005, 78th)

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Face-Off: Best Film Editing #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Film Editing: The Best Years of Our Lives (1946, 19th)
Film Editing: A Place in the Sun (1951, 24th)

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Face-Off: Best Cinematography #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Cinematography: Inception (2010, 83rd)
Cinematography: Hugo (2011, 84th)

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Face-Off: Best Art Direction #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Art Direction: Cimarron (1930/31, 4th)
Art Direction: The Merry Widow (1934, 7th)

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Face-Off: Best Costume Design #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Costume Design: Barry Lyndon (1975, 48th)
Costume Design: Star Wars (1977, 50th)

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Face-Off: Best Sound #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Sound: Jurassic Park (1993, 66th)
Sound: Titanic (1997, 70th)

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Face-Off: Best Visual Effects #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Visual Effects: Alien (1979, 52nd)
Visual Effects: Raiders of the Lost Ark (1981, 54th)

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Face-Off: Best Foreign Language Film #19

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Foreign Language Film: Through a Glass Darkly (1961, 34th)
Foreign Language Film: Federico Fellini’s 8-1/2 (1963, 36th)

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