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This is a Resurfaced review written in 2002 or earlier. For more information, please visit this link: Resurfaced Reviews.

Clockstoppers

Clockstoppers

Rating

Director

Jonathan Frakes

Screenplay

Rob Hedden, Andy Hedden, J. David Stern, David N. Weiss

Length

1h 34m

Starring

Jesse Bradford, French Stewart, Paul Garcรฉes Michael Biehn, Robin Thomas, Garikayi Mutambirwa, Julia Sweeney, Lindze Letherman, Jason Winston George, Linda Kim, Ken Jenkins

MPAA Rating

PG

Review

When the government secretly hires a firm to produce a time-slowing device that would speed up a person’s molecules so that they could travel at several times normal speed, a high school student ends up with the device and becomes the target of a manhunt to get it back.

“Clockstoppers” is the first feature film from director Jonathan Frakes outside the “Star Trek” universe. The story revolves around a mysterious watch with the power to speed the wearer’s molecules and allow him to move faster than anything around him does. Scientist Earl Dopler (French Stewart) sent a prototype of the device to friend and college professor George Gibbs (Robin Thomas) to help him perfect the device. One afternoon, the watch accidentally falls into a broken toaster where George’s son Zak (Jesse Bradford) picks up to take with him.

Zak has been trying to get a new foreign exchange student to go out with him. She finally agrees after he goes out of his way to stop some bullies from harassing her and agrees to have him come over to her house to help rake the lawn.

When he activates the watch, thinking it’s a stopwatch, time slows suddenly and while taking the bag of leaves to the garbage can comes across a hissing possum. He pokes it and thinks it’s dead and waltzes into Francesca’s (Paula Garcรฉs) house to show her what he found that was invading the trash cans and his watch suddenly ends its time and everything goes back into standard motion. The possum isn’t really dead and when he tries to explain, things get out of hand.

After figuring out what the watch does, Zak and friends go on the lam trying to escape the organization that’s trying to get it back. They use similar watches, preventing him from using the watch as an escape mechanism.

Nickelodeon films, one of the production companies behind the film, have been known for good and bad movies throughout their feature film career and have managed to stumble across both an idea and a director that works. Frakes proved his capabilities with the feature film “Star Trek: First Contact,” a terrific film that shines among its fellow “Star Trek” films. Now, Frakes has branched further into the science fiction genre, stepping away from his small screen productions. He takes a potential childish and unemotional film, blends in the right amount of scientific explanation, avoids paradoxes adroitly and keeps the film excellently paced with plenty of room for enjoyment.

The performances are probably the weakest part of the film. Each actor does his very best to portray the characters realistically and perhaps their relative inexperience is a factor. Bradford has numerous credits to his short career, but smiles far too often for his characters needs and even when he’s upset or angry, the tell-tale smile is nearby. Garcรฉs tries her best, but with the broken English, she feels more like a charicature than a character. The same goes for the third friend, Meeker (Garikayi Mutambirwa), who is around for comic relief more than for dramatic necessity.

Television actors Stewart and Julia Sweeney, as Zak’s mom, are capable actors in their own rights, but for Stewart, this was a step in the wrong direction as he bounces well over the top of good taste in his rather amorphous role.

The true prize of the picture is its slow-down visual effects. Using technology first seen in commercials to stop the action and then using a composite image to allow actors to walk freely amongst stopped figures, was a bit troublesome at first, but as the film went on the effects were better. The most notable was the frozen water droplets hanging in air while the actors interacted with them. The effect was admirably done and important only to the grandeur of the experience.

“Clockstoppers” is most certainly made for teens, but adults will be able to sit back and enjoy the film without feeling talked down to.

Awards Prospects

The film will likely not figure heavily into this year’s Oscar race, but the Saturn science fiction Awards may certainly find much to celebrate, as will the Nickelodeon’s kids choice awards.

Review Written

April 18, 2002

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