Every week, we’ll take a look back in 5-year intervals at the box office past to explore how Oscar’s nominees were doing at the box office each weekend historically.
5 Years Ago: The Weekend of Apr. 20-22, 2018
Weekend Box Office:
- A Quiet Place (2018, 91st) – $20,911,809 ($131,270,520 total) {week 3}
- Ready Player One (2018, 91st) – $7,418,738 ($126,100,064 total) {week 4}
- Black Panther (2018, 91st) – $4,932,627 ($681,374,736 total) {week 10}
- Isle of Dogs (2018, 91st) – $3,461,633 ($24,422,171 total) {week 5}
- The Greatest Showman (2017, 90th) – $148,782 ($173,524,478 total) {week 18}
- A Fantastic Woman (2017, 90th) – $25,663 ($1,970,615 total) {week 10}
- Coco (2017, 90th) – $25,013 ($209,718,774 total) {week 22}
- Ferdinand (2017, 90th) – $24,721 ($84,322,735 total) {week 19}
- The Post (2017, 90th) – $17,703 ($81,866,835 total) {week 18}
- The Shape of Water (2017, 90th) – $13,867 ($63,842,519 total) {week 21}
- Three Billboards Outside Ebbing, Missouri (2017, 90th) – $12,315 ($54,492,082 total) {week 24}
- Loveless (2017, 90th) – $2,695 ($551,813 total) {week 10}
Weekend Box Office (Adjusted for Inflation):
- A Quiet Place (2018, 91st) – $23,987,750 ($150,579,246 total)
- Ready Player One (2018, 91st) – $8,509,968 ($144,648,262 total)
- Black Panther (2018, 91st) – $5,658,173 ($781,598,901 total)
- Isle of Dogs (2018, 91st) – $3,970,808 ($28,014,455 total)
- The Greatest Showman (2017, 90th) – $170,667 ($199,048,386 total)
- A Fantastic Woman (2017, 90th) – $29,438 ($2,260,475 total)
- Coco (2017, 90th) – $28,692 ($240,566,541 total)
- Ferdinand (2017, 90th) – $28,357 ($96,725,860 total)
- The Post (2017, 90th) – $20,307 ($93,908,719 total)
- The Shape of Water (2017, 90th) – $15,907 ($73,233,186 total)
- Three Billboards Outside Ebbing, Missouri (2017, 90th) – $14,126 ($62,507,383 total)
- Loveless (2017, 90th) – $3,091 ($632,980 total)
Oscar Details:
- Black Panther (2018, 91st): Picture, Original Song (“All the Stars”), Original Score [O], Production Design [O], Costume Design [O], Sound Mixing, Sound Film Editing
- Coco (2017, 90th): Animated Feature, Original Song (“Remember Me”)
- A Fantastic Woman (2017, 90th): Foreign Language Film [O]
- Ferdinand (2017, 90th): Animated Feature
- The Greatest Showman (2017, 90th): Original Song (“This Is Me”)
- Isle of Dogs (2018, 91st): Animated Feature, Original Score
- Loveless (2017, 90th): Foreign Language Film
- The Post (2017, 90th): Picture, Actress (Meryl Streep)
- A Quiet Place (2018, 91st): Sound Film Editing
- Ready Player One (2018, 91st): Visual Effects
- The Shape of Water (2017, 90th): Picture [O], Directing [O], Actress (Sally Hawkins), Supporting Actor (Richard Jenkins), Supporting Actress (Octavia Spencer), Original Screenplay, Original Score [O], Film Editing, Cinematography, Production Design [O], Costume Design, Sound Mixing, Sound Film Editing
- Three Billboards Outside Ebbing, Missouri (2017, 90th): Picture, Actress (Frances McDormand) [O], Supporting Actor (Woody Harrelson), Supporting Actor (Sam Rockwell) [O], Original Screenplay, Original Score, Film Editing
10 Years Ago: The Weekend of Apr. 19-21, 2013
Weekend Box Office:
- The Croods (2013, 86th) – $9,235,295 ($154,633,037 total) {week 5}
- Silver Linings Playbook (2012, 85th) – $547,660 ($131,030,875 total) {week 23}
- Life of Pi (2012, 85th) – $161,965 ($124,525,084 total) {week 22}
- No (2012, 85th) – $117,501 ($2,026,699 total) {week 10}
- Wreck-It Ralph (2012, 85th) – $52,435 ($189,358,961 total) {week 25}
- Django Unchained (2012, 85th) – $38,609 ($162,760,256 total) {week 17}
- The Gatekeepers (2012, 85th) – $29,718 ($2,316,554 total) {week 12}
- The Hobbit: An Unexpected Journey (2012, 85th) – $18,817 ($303,001,229 total) {week 19}
- Argo (2012, 85th) – $16,874 ($136,019,448 total) {week 28}
- Lincoln (2012, 85th) – $10,370 ($182,204,440 total) {week 24}
- Searching for Sugar Man (2012, 85th) – $8,209 ($3,640,519 total) {week 39}
- Amour (2012, 85th) – $7,829 ($6,726,705 total) {week 18}
- A Royal Affair (2012, 85th) – $6,378 ($1,540,598 total) {week 24}
Weekend Box Office (Adjusted for Inflation):
- The Croods (2013, 86th) – $11,870,705 ($198,759,562 total)
- Silver Linings Playbook (2012, 85th) – $703,942 ($168,422,219 total)
- Life of Pi (2012, 85th) – $208,184 ($160,059,917 total)
- No (2012, 85th) – $151,031 ($2,605,044 total)
- Wreck-It Ralph (2012, 85th) – $67,398 ($243,394,974 total)
- Django Unchained (2012, 85th) – $49,627 ($209,205,987 total)
- The Gatekeepers (2012, 85th) – $38,198 ($2,977,612 total)
- The Hobbit: An Unexpected Journey (2012, 85th) – $24,187 ($389,466,524 total)
- Argo (2012, 85th) – $21,689 ($174,834,346 total)
- Lincoln (2012, 85th) – $13,329 ($234,198,819 total)
- Searching for Sugar Man (2012, 85th) – $10,552 ($4,679,388 total)
- Amour (2012, 85th) – $10,063 ($8,646,257 total)
- A Royal Affair (2012, 85th) – $8,198 ($1,980,227 total)
Oscar Details:
- Amour (2012, 85th): Picture, Directing, Actress (Emmanuelle Riva), Original Screenplay, Foreign Language Film [O]
- Argo (2012, 85th): Picture [O], Supporting Actor (Alan Arkin), Adapted Screenlay [O], Original Score, Film Editing [O], Sound Mixing, Sound Film Editing
- The Croods (2013, 86th): Animated Feature
- Django Unchained (2012, 85th): Picture, Supporting Actor (Christoph Waltz) [O], Original Screenplay [O], Cinematography, Sound Film Editing
- The Gatekeepers (2012, 85th): Documentary Feature
- The Hobbit: An Unexpected Journey (2012, 85th): Production Design, Makeup and Hairstyling, Visual Effects
- Life of Pi (2012, 85th): Picture, Directing [O], Adapted Screenplay, Original Song (“Pi’s Lullaby”), Original Score [O], Film Editing, Cinematography [O], Production Design, Sound Mixing, Sound Film Editing, Visual Effects [O]
- Lincoln (2012, 85th): Picture, Directing, Actor (Daniel Day-Lewis) [O], Supporting Actor (Tommy Lee Jones), Supporting Actress (Sally Field), Adapted Screenplay, Original Score, Film Editing, Cinematography, Production Design [O], Costume Design, Sound Mixing
- No (2012, 85th): Foreign Language Film
- A Royal Affair (2012, 85th): Foreign Language Film
- Searching for Sugar Man (2012, 85th): Documentary Feature [O]
- Silver Linings Playbook (2012, 85th): Picture, Directing, Actor (Bradley Cooper), Actress (Jennifer Lawrence) [O], Supporting Actor (Robert De Niro), Supporting Actress (Jacki Weaver), Adapted Screenplay, Film Editing
- Wreck-It Ralph (2012, 85th): Animated Feature
15 Years Ago: The Weekend of Apr. 18-20, 2008
Weekend Box Office:
- The Counterfeiters (2007, 80th) – $240,753 ($3,742,262 total) {week 9}
- The Visitor (2008, 81st) – $166,499 ($283,400 total) {week 2}
- Juno (2007, 80th) – $151,908 ($143,253,943 total) {week 20}
- In Bruges (2008, 81st) – $103,436 ($7,276,922 total) {week 11}
- Persepolis (2007, 80th) – $25,505 ($4,364,662 total) {week 17}
- There Will Be Blood (2007, 80th) – $11,594 ($40,207,902 total) {week 17}
- The Savages (2007, 80th) – $9,531 ($6,605,240 total) {week 21}
- Taxi to the Dark Side (2007, 80th) – $3,157 ($251,367 total) {week 14}
- Beaufort (2007, 80th) – $673 ($92,466 total) {week 14}
Weekend Box Office (Adjusted for Inflation):
- The Counterfeiters (2007, 80th) – $350,400 ($5,446,607 total)
- The Visitor (2008, 81st) – $242,328 ($412,469 total)
- Juno (2007, 80th) – $221,092 ($208,496,338 total)
- In Bruges (2008, 81st) – $150,544 ($10,591,063 total)
- Persepolis (2007, 80th) – $37,121 ($6,352,468 total)
- There Will Be Blood (2007, 80th) – $16,874 ($58,519,857 total)
- The Savages (2007, 80th) – $13,872 ($9,613,476 total)
- Taxi to the Dark Side (2007, 80th) – $4,595 ($365,848 total)
- Beaufort (2007, 80th) – $980 ($134,578 total)
Oscar Details:
- Beaufort (2007, 80th): Foreign Language Film
- The Counterfeiters (2007, 80th): Foreign Language Film [O]
- In Bruges (2008, 81st): Original Screenplay
- Juno (2007, 80th): Picture, Director, Actress (Ellen Page), Original Screenplay [O]
- Persepolis (2007, 80th): Animated Feature
- The Savages (2007, 80th): Actress (Laura Linney), Original Screenplay
- Taxi to the Dark Side (2007, 80th): Documentary Feature [O]
- There Will Be Blood (2007, 80th): Picture, Director, Actor (Daniel Day-Lewis) [O], Adapted Screenplay, Film Editing, Cinematography [O], Art Direction, Sound Film Editing
- The Visitor (2008, 81st): Actor (Richard Jenkins)
20 Years Ago: The Weekend of Apr. 18-20, 2003
Weekend Box Office:
- Chicago (2002, 75th) – $2,501,139 ($160,741,486 total) {week 17}
- A Mighty Wind (2003, 76th) – $2,112,140 ($2,730,735 total) {week 1}
- The Pianist (2002, 75th) – $1,095,495 ($30,213,790 total) {week 17}
- Nowhere in Africa (2002, 75th) – $352,746 ($1,989,088 total) {week 7}
- The Lord of the Rings: The Two Towers (2002, 75th) – $351,838 ($337,526,600 total) {week 18}
- The Quiet American (2002, 75th) – $268,979 ($12,000,212 total) {week 22}
- Bowling for Columbine (2002, 75th) – $172,590 ($20,814,575 total) {week 28}
- About Schmidt (2002, 75th) – $142,208 ($64,543,239 total) {week 19}
- City of God (2003, 76th) – $129,658 ($3,650,547 total) {week 14}
- Talk to Her (2002, 75th) – $105,442 ($9,031,416 total) {week 22}
- Spirited Away (2002, 75th) – $101,910 ($9,855,615 total) {week 31}
- The Hours (2002, 75th) – $97,270 ($41,225,329 total) {week 17}
- Catch Me If You Can (2002, 75th) – $78,371 ($164,435,221 total) {week 17}
- Frida (2002, 75th) – $58,221 ($25,776,062 total) {week 26}
- The Man Without a Past (2002, 75th) – $49,990 ($125,262 total) {week 3}
- Adaptation. (2002, 75th) – $39,967 ($22,245,861 total) {week 20}
- Winged Migration (2002, 75th) – $33,128 ($33,128 total) {week 1}
- Gangs of New York (2002, 75th) – $14,256 ($77,711,962 total) {week 18}
- Far From Heaven (2002, 75th) – $9,147 ($15,894,840 total) {week 24}
- The Wild Thornberrys Movie (2002, 75th) – $6,366 ($39,875,562 total) {week 18}
- The Crime of Father Amaro (2002, 75th) – $1,531 ($5,715,000 total) {week 23}
Weekend Box Office (Adjusted for Inflation):
- Chicago (2002, 75th) – $4,334,478 ($278,565,262 total)
- A Mighty Wind (2003, 76th) – $3,660,342 ($4,732,368 total)
- The Pianist (2002, 75th) – $1,898,495 ($52,360,548 total)
- Nowhere in Africa (2002, 75th) – $611,309 ($3,447,093 total)
- The Lord of the Rings: The Two Towers (2002, 75th) – $609,736 ($584,934,158 total)
- The Quiet American (2002, 75th) – $466,141 ($20,796,387 total)
- Bowling for Columbine (2002, 75th) – $299,099 ($36,071,693 total)
- About Schmidt (2002, 75th) – $246,447 ($111,853,540 total)
- City of God (2003, 76th) – $224,698 ($6,326,404 total)
- Talk to Her (2002, 75th) – $182,731 ($15,651,459 total)
- Spirited Away (2002, 75th) – $176,610 ($17,079,797 total)
- The Hours (2002, 75th) – $168,569 ($71,443,564 total)
- Catch Me If You Can (2002, 75th) – $135,817 ($284,966,511 total)
- Frida (2002, 75th) – $100,897 ($44,669,958 total)
- The Man Without a Past (2002, 75th) – $86,633 ($217,079 total)
- Adaptation. (2002, 75th) – $69,263 ($38,552,114 total)
- Winged Migration (2002, 75th) – $57,411 ($57,411 total)
- Gangs of New York (2002, 75th) – $24,706 ($134,674,959 total)
- Far From Heaven (2002, 75th) – $15,852 ($27,545,784 total)
- The Wild Thornberrys Movie (2002, 75th) – $11,032 ($69,104,415 total)
- The Crime of Father Amaro (2002, 75th) – $2,653 ($9,904,104 total)
Oscar Details:
- About Schmidt (2002, 75th): Actor (Jack Nicholson), Supporting Actress (Kathy Bates)
- Adaptation. (2002, 75th): Actor (Nicoals Cage), Supporting Actor (Chris Cooper) [O], Supporting Actress (Meryl Streep), Adapted Screenplay
- Bowling for Columbine (2002, 75th): Documentary Feature [O]
- Catch Me If You Can (2002, 75th): Supporting Actor (Christopher Walken), Original Score
- Chicago (2002, 75th): Picture [O], Director, Actress (Renee Zellweger), Supporting Actor (John C. Reilly), Supporting Actress (Catherine Zeta-Jones [O], Queen Latifah), Adapted Screenplay, Original Song (“I Move On”), Film Editing [O], Cinematography, Art Direction [O], Costume Design [O], Sound [O]
- City of God (2003, 76th): Director, Adapted Screenplay, Film Editing, Cinematography
- The Crime of Father Amaro (2002, 75th): Foreign Language Film
- Far From Heaven (2002, 75th): Actress (Julianne Moore), Original Screenplay, Original Score, Cinematography
- Frida (2002, 75th): Actress, Original Score [O], Original Song (“Burn It Blue”), Art Direction, Costume Design, Makeup [O]
- Gangs of New York (2002, 75th): Picture, Director, Actor (Daniel Day-Lewis), Original Screenplay, Original Song (“The Hands That Built America”), Film Editing, Cinematography, Art Direction, Costume Design, Sound
- The Hours (2002, 75th): Picture, Director, Actress (Nicole Kidman) [O], Supporting Actor (Ed Harris), Supporting Actress (Julianne Moore), Adapted Screenplay, Original Score, Film Editing, Costume Design
- The Lord of the Rings: The Two Towers (2002, 75th): Picture, Film Editing, Art Direction, Sound, Sound Film Editing [O], Visual Effects [O]
- The Man Without a Past (2002, 75th): Foreign Language Film
- A Mighty Wind (2003, 76th): Original Song (“A Kiss at the End of the Rainbow”)
- Nowhere in Africa (2002, 75th): Foreign Language Film [O]
- The Pianist (2002, 75th): Picture, Director [O], Actor (Adrien Brody) [O], Adapted Screenplay [O], Film Editing, Cinematography, Costume Design
- The Quiet American (2002, 75th): Actor (Michael Caine)
- Spirited Away (2002, 75th): Animated Feature [O]
- Talk to Her (2002, 75th): Director, Original Screenplay [O]
- The Wild Thornberrys Movie (2002, 75th): Original Song (“Father and Daughter”)
- Winged Migration (2002, 75th): Documentary Feature
25 Years Ago: The Weekend of Apr. 17-19, 1998
Weekend Box Office:
- Titanic (1997, 70th) – $7,407,989 ($554,067,203 total) {week 18}
- As Good As It Gets (1997, 70th) – $1,558,025 ($142,064,798 total) {week 17}
- Primary Colors (1998, 71st) – $1,534,305 ($35,158,705 total) {week 5}
- Good Will Hunting (1997, 70th) – $1,465,824 ($131,555,851 total) {week 20}
- Amistad (1997, 70th) – $4,667 ($44,221,297 total) {week 19}
Weekend Box Office (Adjusted for Inflation):
- Titanic (1997, 70th) – $16,506,074 ($1,234,542,062 total)
- As Good As It Gets (1997, 70th) – $3,471,506 ($316,540,968 total)
- Primary Colors (1998, 71st) – $3,418,654 ($78,338,692 total)
- Good Will Hunting (1997, 70th) – $3,266,068 ($293,125,510 total)
- Amistad (1997, 70th) – $10,399 ($98,531,461 total)
Oscar Details:
- Amistad (1997, 70th): Supporting Actor (Anthony Hopkins), Original Score, Cinematography, Costume Design
- As Good As It Gets (1997, 70th): Picture, Actor (Jack Nicholson) [O], Actress (Helen Hunt) [O], Supporting Actor (Greg Kinnear), Original Screenplay, Original Musical or Comedy Score, Film Editing
- Good Will Hunting (1997, 70th): Picture, Director, Actor (Matt Damon), Supporting Actor (Robin Williams) [O], Supporting Actress (Minnie Driver), Original Screenplay [O], Original Dramatic Score, Original Song (“Miss Misery”), Film Editing
- Primary Colors (1998, 71st): Supporting Actress (Kathy Bates), Adapted Screenplay
- Titanic (1997, 70th): Picture [O], Director [O], Actress (Kate Winslet), Supporting Actress (Gloria Stuart), Original Dramatic Score [O], Original Song (“My Heart Will Go On”) [O], Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Makeup, Sound [O], Sound Film Editing [O], Visual Effects [O]
30 Years Ago: The Weekend of Apr. 16-18, 1993
Weekend Box Office:
- The Crying Game (1992, 65th) – $1,941,084 ($57,118,500 total) {week 21}
- Unforgiven (1992, 65th) – $1,534,019 ($91,096,629 total) {week 37}
- Scent of a Woman (1992, 65th) – $1,018,850 ($57,933,269 total) {week 17}
- A Few Good Men (1992, 65th) – $245,525 ($135,889,976 total) {week 19}
Weekend Box Office (Adjusted for Inflation):
- The Crying Game (1992, 65th) – $4,899,596 ($144,175,924 total)
- Unforgiven (1992, 65th) – $3,872,101 ($229,941,974 total)
- Scent of a Woman (1992, 65th) – $2,571,735 ($146,232,527 total)
- A Few Good Men (1992, 65th) – $619,743 ($343,007,307 total)
Oscar Details:
- The Crying Game (1992, 65th): Picture, Director, Actor (Stephen Rea), Supporting Actor (Jaye Davidson), Original Screenplay [O], Film Editing
- A Few Good Men (1992, 65th): Picture, Supporting Actor (Jack Nicholson), Film Editing, Sound
- Scent of a Woman (1992, 65th): Picture, Director, Actor (Al Pacino) [O], Adapted Screenplay
- Unforgiven (1992, 65th): Picture [O], Director [O], Actor (Clint Eastwood), Supporting Actor (Gene Hackman) [O], Original Screenplay, Film Editing [O], Cinematography, Art Direction, Sound
35 Years Ago: The Weekend of Apr. 15-17, 1988
Weekend Box Office:
- Beetlejuice (1988, 61st) – $7,145,123 ($32,085,824 total) {week 3}
- The Last Emperor (1987, 60th) – $3,398,662 ($29,320,303 total) {week 22}
- Moonstruck (1987, 60th) – $2,900,253 ($63,520,335 total) {week 18}
- Good Morning, Vietnam (1987, 60th) – $2,084,727 ($111,609,833 total) {week 17}
- Stand and Deliver (1988, 61st) – $1,297,511 ($6,376,641 total) {week 6}
- The Milagro Beanfield War (1988, 61st) – $748,969 ($3,224,246 total) {week 5}
Weekend Box Office (Adjusted for Inflation):
- Beetlejuice (1988, 61st) – $18,167,040 ($81,580,745 total)
- The Last Emperor (1987, 60th) – $8,641,367 ($74,549,189 total)
- Moonstruck (1987, 60th) – $7,374,123 ($161,505,475 total)
- Good Morning, Vietnam (1987, 60th) – $5,300,583 ($283,776,826 total)
- Stand and Deliver (1988, 61st) – $3,299,024 ($16,213,114 total)
- The Milagro Beanfield War (1988, 61st) – $1,904,313 ($8,197,900 total)
Oscar Details:
- Beetlejuice (1988, 61st): Makeup [O]
- Good Morning, Vietnam (1987, 60th): Actor (Robin Williams)
- The Last Emperor (1987, 60th): Picture [O], Director [O], Adapted Screenplay [O], Original Score [O], Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Sound [O]
- The Milagro Beanfield War (1988, 61st): Original Score [O]
- Moonstruck (1987, 60th): Picture, Director, Actress (Cher) [O], Supporting Actor (Vincent Gardenia), Supporting Actress (Olympia Dukakis) [O], Original Screenplay
- Stand and Deliver (1988, 61st): Actor (Edward James Olmos)
40 Years Ago: The Weekend of Apr. 22-24, 1983
Weekend Box Office:
- Flashdance (1983, 56th) – $4,085,494 ($9,738,547 total) {week 2}
- Tootsie (1982, 55th) – $2,598,623 ($159,053,728 total) {week 19}
- Gandhi (1982, 55th) – $2,076,315 ($45,510,009 total) {week 20}
- E.T. The Extra-Terrestrial (1982, 55th) – $1,195,506 ($345,849,534 total) {week 46}
- Sophie’s Choice (1982, 55th) – $955,547 ($25,215,547 total) {week 19}
- An Officer and a Gentleman (1982, 55th) – $527,874 ($124,903,032 total) {week 39}
- Tender Mercies (1983, 56th) – $147,156 ($354,629 total) {week 5}
- The Verdict (1982, 55th) – $388,473 ($53,157,482 total) {week 20}
Weekend Box Office (Adjusted for Inflation):
- Flashdance (1983, 56th) – $13,553,464 ($32,307,243 total)
- Tootsie (1982, 55th) – $8,620,829 ($527,654,431 total)
- Gandhi (1982, 55th) – $6,888,093 ($150,977,649 total)
- E.T. The Extra-Terrestrial (1982, 55th) – $3,966,044 ($1,147,342,105 total)
- Sophie’s Choice (1982, 55th) – $3,169,989 ($83,651,577 total)
- An Officer and a Gentleman (1982, 55th) – $1,751,201 ($414,360,852 total)
- Tender Mercies (1983, 56th) – $488,184 ($1,176,468 total)
- The Verdict (1982, 55th) – $1,288,744 ($176,347,837 total)
Oscar Details:
- E.T. The Extra-Terrestrial (1982, 55th): Picture, Director, Original Screenplay, Original Score [O], Film Editing, Cinematography, Sound [O], Sound Effects [O], Visual Effects [O]
- Flashdance (1983, 56th): Original Song (“FlashdanceโฆWhat a Feeling”) [O], Original Song (“Maniac”), Film Editing, Cinematography
- Gandhi (1982, 55th): Picture [O], Director [O], Actor (Ben Kingsley) [O], Original Screenplay [O], Original Score, Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Makeup, Sound
- An Officer and a Gentleman (1982, 55th): Actress (Debra Winger), Supporting Actor (Louis Gossett Jr) [O], Original Screenplay, Original Song (“Up Where We Belong”) [O], Original Score, Film Editing
- Sophie’s Choice (1982, 55th): Actress (Meryl Streep) [O], Adapted Screenplay, Original Score, Cinematography, Costume Design
- Tender Mercies (1983, 56th): Picture, Director, Actor (Robert Duvall) [O], Original Screenplay [O], Original Song (“Over You”)
- Tootsie (1982, 55th): Picture, Director, Actor (Dustin Hoffman), Supporting Actress (Jessica Lange) [O], Supporting Actress (Teri Garr), Original Screenplay, Original Song (“It Might Be You”), Film Editing, Cinematography, Sound
- The Verdict (1982, 55th): Picture, Director, Actor (Paul Newman), Supporting Actor (James Mason), Adapted Screenplay
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