The Friday Face-Off Round One #23

Below are our ten face-offs for this week. Each category requires you to select a certain number of films to save. For more information on how the game works, click here.

Face-Off: Best Picture #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Picture: Unforgiven (1992, 65th)
Picture: The English Patient (1996, 69th)

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Face-Off: Best Directing #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Directing: Clint Eastwood – Unforgiven (1992, 65th)
Directing: Anthony Minghella – The English Patient (1996, 69th)

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Face-Off: Best Lead Actor #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actor: Philip Seymour Hoffman – Capote (2005, 78th)
Lead Actor: Daniel Day-Lewis – There Will Be Blood (2007, 80th)

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Face-Off: Best Lead Actress #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actress: Meryl Streep – The Iron Lady (2011, 84th)
Lead Actress: Julianne Moore – Still Alice (2014, 87th)

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Face-Off: Best Supporting Actor #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actor: Karl Malden – A Streetcar Named Desire (1951, 24th)
Supporting Actor: Frank Sinatra – From Here to Eternity (1953, 26th)

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Face-Off: Best Supporting Actress #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actress: Patty Duke – The Miracle Worker (1962, 35th)
Supporting Actress: Estelle Parsons – Bonnie and Clyde (1967, 40th)

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Face-Off: Best Original Screenplay #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing (Original Screenplay): Network (1976, 49th)
Writing (Original Screenplay): Breaking Away (1979, 52nd)

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Face-Off: Best Song #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Song: “The Windmills of Your Mind” – The Thomas Crown Affair (1968, 41st)
Song: “For All We Know” – Lovers and Other Strangers (1970, 43rd)

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Face-Off: Best Music #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Music (Original Score): Up (2009, 82nd)
Music (Original Score): The Hateful Eight (2015, 88th)

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Face-Off: Best Film Editing #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Film Editing: The Bridge on the River Kwai (1957, 30th)
Film Editing: Mary Poppins (1964, 37th)

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Face-Off: Best Cinematography #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Cinematography: Cleopatra (1934, 7th)
Cinematography: The Good Earth (1937, 10th)

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Face-Off: Best Art Direction #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Art Direction (Color): The Thief of Bagdad (1940, 13th)
Art Direction (Black-and-White): Gaslight (1944, 17th)

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Face-Off: Best Costume Design #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Costume Design: Dangerous Liaisons (1988, 61st)
Costume Design: The Age of Innocence (1993, 66th)

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Face-Off: Best Sound #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Sound: Chicago (2002, 75th)
Sound: The Bourne Ultimatum (2007, 80th)

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Face-Off: Best Visual Effects #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Visual Effects: Terminator 2: Judgment Day (1991, 64th)
Visual Effects: Titanic (1997, 70th)

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Face-Off: Best Foreign Language Film #23

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Foreign Language Film: The Discreet Charm of the Bourgeoisie (1972, 45th)
Foreign Language Film: Day for Night (1973, 46th)

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