The Friday Face-Off Round One #17

Below are our ten face-offs for this week. Each category requires you to select a certain number of films to save. For more information on how the game works, click here.

Face-Off: Best Picture #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Picture: The Godfather, Part II (1974, 47th)
Picture: One Flew Over the Cuckoo’s Nest (1975, 48th)

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Face-Off: Best Directing #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Directing: Francis Ford Coppola – The Godfather, Part II (1974, 47th)
Directing: Milos Forman – One Flew Over the Cuckoo’s Nest (1975, 48th)

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Face-Off: Best Lead Actor #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actor: Robert Duvall – Tender Mercies (1983, 56th)
Lead Actor: Paul Newman – The Color of Money (1986, 59th)

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Face-Off: Best Lead Actress #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actress: Holly Hunter – The Piano (1993, 66th)
Lead Actress: Susan Sarandon – Dead Man Walking (1995, 68th)

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Face-Off: Best Supporting Actor #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actor: Jared Leto – Dallas Buyers Club (2013, 86th)
Supporting Actor: Mark Rylance – Bridge of Spies (2015, 88th)

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Face-Off: Best Supporting Actress #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actress: Teresa Wright – Mrs. Miniver (1942, 15th)
Supporting Actress: Katina Paxinou – For Whom the Bell Tolls (1943, 16th)

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Face-Off: Best Original Screenplay #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing (Story and Screenplay): The Apartment (1960, 33rd)
Writing (Story and Screenplay): Splendor in the Grass (1961, 34th)

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Face-Off: Best Adapted Screenplay #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing (Adapted Screenplay): Room at the Top (1959, 32nd)
Writing (Adapted Screenplay): Elmer Gantry (1960, 33rd)

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Face-Off: Best Song #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Song: “High Noon (Do Not Forsake Me, Oh My Darlin’)” – High Noon (1952, 25th)
Song: “Secret Love” – Calamity Jane (1953, 26th)

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Face-Off: Best Music #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Music (Musical/Comeedy Score): Emma (1996, 69th)
Music (Drama Score): Titanic (1997, 70th)

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Face-Off: Best Film Editing #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Film Editing: The Pride of the Yankees (1942, 15th)
Film Editing: Air Force (1943, 16th)

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Face-Off: Best Cinematography #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Cinematography: The Aviator (2004, 77th)
Cinematography: Pan’s Labyrinth (2006, 79th)

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Face-Off: Best Art Direction #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Art Direction: Mad Max: Fury Road (2015, 88th)
Art Direction: La La Land (2016, 89th)

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Face-Off: Best Costume Design #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Costume Design: Nicholas and Alexandra (1971, 44th)
Costume Design: Travels with My Aunt (1972, 45th)

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Face-Off: Best Sound #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Sound: Raiders of the Lost Ark (1981, 54th)
Sound: E.T. The Extra-Terrestrial (1982, 55th)

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Face-Off: Best Sound Editing #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Sound Editing: The Hindenburg (1975, 48th)
Sound Editing: Close Encounters of the Third Kind (1977, 50th)

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Face-Off: Best Visual Effects #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Visual Effects: The Hindenburg (1975, 48th)
Visual Effects: Logan’s Run (1976, 49th)

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Face-Off: Best Foreign Language Film #17

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Foreign Language Film: Gate of Hell (1954, 27th)
Foreign Language Film: La Strada (1956, 29th)

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