The Friday Face-Off Round One #7

Below are our ten face-offs for this week. Each category requires you to select a certain number of films to save. For more information on how the game works, click here.

Face-Off: Best Picture #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Picture: The Lost Weekend (1945, 18th)
Picture: The Best Years of Our Lives (1946, 19th)

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Face-Off: Best Directing #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Directing: Billy Wilder – The Lost Weekend (1945, 18th)
Directing: William Wyler – The Best Years of Our Lives (1946, 19th)

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Face-Off: Best Lead Actor #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actor: Ernest Borgnine – Marty (1955, 28th)
Lead Actor: Alec Guinness – The Bridge on the River Kwai (1957, 30th)

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Face-Off: Best Lead Actress #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actress: Elizabeth Taylor – Who’s Afraid of Virginia Woolf? (1966, 39th)
Lead Actress: Katherine Hepburn – The Lion in Winter (1968, 41st)

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Face-Off: Best Supporting Actor #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actor: Michael Caine – Hannah and Her Sisters (1986, 59th)
Supporting Actor: Sean Connery – The Untouchables (1987, 60th)

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Face-Off: Best Supporting Actress #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actress: Dianne Wiest – Bullets Over Broadway (1994, 67th)
Supporting Actress: Juliette Binoche – The English Patient (1996, 69th)

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Face-Off: Best Original Screenplay #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing (Screenplay): The Best Years of Our Lives (1946, 19th)
Writing (Motion Picture Story): Vacation from Marriage (1946, 19th)

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Face-Off: Best Adapted Screenplay #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing (Adapted Screenplay): Schindler’s List (1993, 66th)
Writing (Adapted Screenplay): Sense and Sensibility (1995, 68th)

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Face-Off: Best Song #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Song: “It’s Hard Out Here for a Pimp” – Hustle & Flow (2005, 78th)
Song: “Falling Slowly” – Once (2007, 80th)

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Face-Off: Best Score #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Music (Song Score or Its Adaptation): Barry Lyndon (1975, 48th)
Music (Original Score): The Omen (1976, 49th)

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Face-Off: Best Film Editing #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Film Editing: The English Patient (1996, 69th)
Film Editing: Titanic (1997, 70th)

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Face-Off: Best Cinematography #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Cinematography: Bound for Glory (1976, 49th)
Cinematography: Close Encounters of the Third Kind (1977, 50th)

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Face-Off: Best Art Direction #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Art Direction: A Room with a View (1986, 59th)
Art Direction: The Last Emperor (1987, 60th)

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Face-Off: Best Costume Design #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Costume Design (Color): Moulin Rouge (1952, 25th)
Costume Design (Black-and-White): Roman Holiday (1953, 26th)

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Face-Off: Best Makeup #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Makeup: Elizabeth (1998, 71st)
Makeup: Topsy-Turvy (1999, 72nd)

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Face-Off: Best Sound #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Sound: Breaking the Sound Barrier (1952, 25th)
Sound: From Here to Eternity (1953, 26th)

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Face-Off: Best Sound Editing #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Sound Editing: Saving Private Ryan (1998, 71st)
Sound Editing: The Matrix (1999, 72nd)

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Face-Off: Best Visual Effects #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Visual Effects (Special Effects): Blithe Spirit (1946, 19th)
Visual Effects (Special Effects): Green Dolphin Street (1947, 20th)

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Face-Off: Best Foreign Language Film #7

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Foreign Language Film: Antonia’s Line (1995, 68th)
Foreign Language Film: Character (1997, 70th)

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