Netflix sent a huge package containing quite a few duplicates, but also some new titles. This is probably the last batch before the set I will get from the Independent Spirit Awards.
Hold the Dark
Oscar Chances: Unlikely: Has anyone really even heard of this film? It’s genuine lack of familiarity will keep it out of the race.
Campaign-Proposed Categories
- Picture
- Directing (Jeremy Saulnier)
- Adapted Screenplay (Macon Blair)
- Actor (Jeffrey Wright)
- Supporting Actor (Alexander Skarsgard, James Badge Dale)
- Supporting Actress (Riley Keough)
- Cinematography (Magnus Nordenhof Jonck)
- Production Design (Ryan Warren Smith, Alan McCullagh)
- Film Editing (Julia Bloch)
- Costume Design (Antoinette Messam)
- Visual Effects (Chris Connolly, Charlotta Fossman, John Kilshaw, Nathan Overstrom)
- Sound Mixing (Garrell Clark, Ahmed El Fekkak, Tony Volante)
- Sound Editing (Mariusz Glabinski)
- Makeup and Hairstyling (Sharon Toohey, Jo-Dee Thomson)
- Original Score (Brooke Blair, Will Blair)
The Kindergarten Teacher
Oscar Chances: Unlikely: Even a strong cast doesn’t make a movie that most people aren’t familiar with into a contender.
Campaign-Proposed Categories
- Picture
- Director (Sara Colangelo)
- Adapted Screenplay (Sara Colangelo)
- Actress (Maggie Gyllenhaal)
- Supporting Actor (Gael Garcia Bernal, Parker Sevak)
- Cinematography (Pepe Avila Del Pino)
- Production Design (Mary Colston, Gwen Roach)
- Film Editing (Marc Vives, Lee Percy)
- Costume Design (Vanessa Porter)
- Visual Effects (Guy Dahan, Vadim Bar Zakharin)
- Sound Mixing (Gil Toren, Anton Gold)
- Sound Editing (Erez Eynl Shavit, Ami Arad)
- Makeup and Hairstyling (Ivy Ermert, Felicia Nelson)
- Original Score (Asher Goldschmidt)
The Land of Steady Habits
Oscar Chances: Unlikely: Nicole Holofcener is a well respected director, but this film didn’t generate any buzz upon release.
Campaign-Proposed Categories
- Picture
- Directing (Nicole Holofcener)
- Adapted Screenplay (Nicole Holofcener)
- Actor (Ben Mendelsohn)
- Actress (Edie Falco)
- Supporting Actor (Thomas Mann)
- Supporting Actress (Connie Britton)
- Cinematography (Alar Kivilo)
- Production Design (Dina GOldman, Robert Covelman)
- Film Editing (Robert Frazen)
- Costume Design (Alex Bovaird)
- Visual Effects (John Ciampa)
- Sound Mixing (Damian Elias Canelos, Skip Lievsay, Larry Zipf)
- Makeup and Hairstyling (Sheri Kornhaber Ciliento, Diana Sikes)
- Original Score (Marcelo Zarvos)
Mowgli: Legend of the Jungle
Oscar Chances: Unlikely: While the film got decent reviews, it hasn’t been a major player in the awards scene and its lack of major cinematic release hurts its chances.
Campaign-Proposed Categories
- Picture
- Director (Andy Serkis)
- Adapted Screenplay (Callie Kloves)
- Actor (Rohan Chand)
- Supporting Actor (Christian Bale, Benedict Cumberbatch, Andy Serkis, Peter Mullan, Louis Ashbourne Serkis, Matthew Rhys)
- Supporting Actress (Cate Blanchett, Naomie Harris, Freida Pinto)
- Cinematography (Michael Seresin)
- Production Design (Gary Freeman, Raffaella Giovannetti)
- Film Editing (Mark Sanger, Alex Marquez, Jeremiah O’Driscoll)
- Costume Design (Alexandra Byrne)
- Visual Effects (Nigel Denton-Howes, Max Solomon, Ivan Mokan, Francois Dumoulin)
- Sound Mixing (Danny Hambrook, Ian Tapp, Doug Cooper)
- Sound Editing (Glenn Freemantle, Tom Sayers)
- Makeup & Hairstyling (Nana Fischer)
- Original Score (Nitin Sawhney)
- Original Song (“Changes” – Nitin Sawhney)
Nappily Ever After
Oscar Chances: Unlikely: Sanaa Lathan and Lynn Whitfield are strong actors, but this film has come somewhat out of nowhere.
Campaign-Proposed Categories
- Picture
- Directing (Haifaa Al-Mansour)
- Actress (Sanaa Lathan)
- Supporting Actress (Lynn Whitfield)
- Cinematography (Alar Kivilo)
- Production Design (John Collins, Lynne Mitchell)
- Film Editing (Jay Deuby)
- Costume Design (Jennifer Leigh-Scott)
- Visual Effects (Chris Holmes)
- Sound Mixing (Rodney Gurule, Phillip Bladh, Marc Fishman)
- Sound Mixing (Michael J. Benavente) (probably meant Sound Editing)
- Makeup and Hairstyling (Nikoletta Skarlatos, Dawn Turner)
- Original Score (Lesley Barber)
The Other Side of the Wind
Oscar Chances: Unlikely: Orson Welles’ final film has been edited and assembled recently. It’s a significant achievement and has earned some attention from critics, but not enough to make it seem like a credible contender.
Campaign-Proposed Categories
- Picture (Frank Marshall, Filip Jan Rymsza)
- Directing (Orson Welles)
- Original Screenplay (Orson Welles, Oja Kodar)
- Actor (John Huston)
- Supporting Actor (Peter Bogdanovich)
- Film Editing (Orson Welles, Bob Murawski)
- Original Score (Michel Legrand)
- Cinematography (Gary Graver)
- Sound Mixing (Scott Millan, Gregg Rudloff)
- Sound Editing (Daniel Saxlid, Scott Millan)
- Visual Effects (John Knoll, Joe Ceballos, Brian Meanley)
The Resistance Banker
Oscar Chances: None: It didn’t make the finalist list, so it’s done.
Campaign-Proposed Categories
- Foreign Language Film (The Netherlands)
Roxanne Roxanne
Oscar Chances: Unlikely: Has anyone actually heard of this film? Even with producers like Forest Whitaker and Pharrell Williams, it’s been rather under the radar.
Campaign-Proposed Categories
- Picture (Nina Yang Bongiovi, Forest Whitaker, Mimi Veldes, Pharrell Williams)
- Directing (Michael J. Larnell)
- Original Screenplay (Michael J. Larnell)
- Actress (Chante Adams)
- Supporting Actress (Nia Long)
- Cinematography (Federico Cesca)
- Film Editing (Claudia Costello)
- Production Design (Javiera Varas, Tricia Peck)
- Costume Design (Kama Royz)
- Makeup and Hairstyling (Martha Melendez, Belinda Anderson)
- Original Score (RZA)
- Sound Editing (Craig Mann)
- Sound Mixing (Craig Mann, Laura Wiest, Allison Jackson)
They’ll Love Me When I’m Dead
Oscar Chances: None: It didn’t make the finalist list, so it’s done.
Campaign-Proposed Categories
- Documentary Feature
- Director (Morgan Neville)
- Cinematography (Danny Grunes)
- Production Design (Jade Spiers)
- Film Editing (Aaron Wickenden, Jason Zeldes)
- Sound Mixing (Brian Riordan, Dennis Hamlin)
- Makeup and Hairstyling (Alex Perrone)
- Original Score (Daniel Wohl)
A Twelve Year Night
Oscar Chances: None: It didn’t make the finalist list, so it’s done.
Campaign-Proposed Categories
- Foreign Language FIlm (Uruguay)
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