The Friday Face-Off Round One #34

• Writing (Original Screenplay): The Hurt Locker (2009, 82nd)
• Writing (Original Screenplay): Midnight in Paris (2011, 84th)

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• Writing (Original Screenplay): Spotlight (2015, 88th)
• Writing (Original Screenplay): Manchester by the Sea (2016, 89th)

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• Writing (Adapted Screenplay): The Descendants (2011, 84th)
• Writing (Adapted Screenplay): Argo (2012, 85th)

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• Music (Original Score) (Musical Score): Yankee Doodle Dandy (1942, 15th)
• Music (Original Score) (Drama/Comedy Score): Now, Voyager (1942, 15th)

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• Music (Original Score) (Musical Score): With a Song in My Heart (1952, 25th)
• Music (Original Score) (Drama/Comedy Score): Lili (1953, 26th)

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• Music (Original Score) (Musical Score): Call Me Madam (1953, 26th)
• Music (Original Score) (Musical Score): Seven Brides for Seven Brothers (1954, 27th)

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• Music (Original Score) (Drama/Comedy Score): Love Is a Many-Splendored Thing (1955, 28th)
• Music (Original Score) (Musical Score): The King and I (1956, 29th)

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• Music (Original Score) (Substantially Original): Doctor Zhivago (1965, 38th)
• Music (Original Score) (Music Score): Born Free (1966, 39th)

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• Music (Original Score) (Adaptation/Treatment): Camelot (1967, 40th)
• Music (Original Score) (Musical Score): Hello, Dolly! (1969, 42nd)

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• Cinematography (Color): Black Narcissus (1947, 20th)
• Cinematography (Black-and-White): The Third Man (1950, 23rd)

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• Art Direction (Color): Spartacus (1960, 33rd)
• Art Direction (Black-and-White): The Apartment (1960, 33rd)

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• Foreign Language Film: Kolya (1996, 69th)
• Foreign Language Film: Life Is Beautiful (1998, 71st)

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• Foreign Language Film: In a Better World (2010, 83rd)
• Foreign Language Film: A Fantastic Woman (2017, 90th)

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