The Friday Face-Off Round One #27

Below are our ten face-offs for this week. Each category requires you to select a certain number of films to save. For more information on how the game works, click here.

Face-Off: Best Picture #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Picture: American Beauty (1999, 72nd)
Picture: No Country for Old Men (2007, 80th)

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Face-Off: Best Directing #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Directing: Sam Mendes – American Beauty (1999, 72nd)
Directing: Joel Coen, Ethan Coen – No Country for Old Men (2007, 80th)

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Face-Off: Best Lead Actor #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actor: Colin Firth – The King’s Speech (2010, 83rd)
Lead Actor: Gary Oldman – Darkest Hour (2017, 90th)

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Face-Off: Best Lead Actress #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Lead Actress: Janet Gaynor – 7th Heaven; Street Angel; Sunrise (1927/28, 1st)
Lead Actress: Marie Dressler – Min and Bill (1930/31, 4th)

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Face-Off: Best Supporting Actor #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actor: Burl Ives – The Big Country (1958, 31st)
Supporting Actor: Ed Begley – Sweet Bird of Youth (1962, 35th)

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Face-Off: Best Supporting Actress #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Supporting Actress: Eileen Heckart – Butterflies Are Free (1972, 45th)
Supporting Actress: Ingrid Bergman – Murder on the Orient Express (1974, 47th)

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Face-Off: Best Original Screenplay #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing (Original Screenplay): Moonstruck (1987, 60th)
Writing (Original Screenplay): Pulp Fiction (1994, 67th)

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Face-Off: Best Song #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Song: “Flashdance…What a Feeling” – Flashdance (1983, 56th)
Song: “(I’ve Had) The Time of My Life” – Dirty Dancing (1987, 60th)

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Face-Off: Best Music #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Music (Scoring): The Informer (1935, 8th)
Music (Scoring): Stagecoach (1939, 12th)

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Face-Off: Best Film Editing #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Film Editing: Jaws (1975, 48th)
Film Editing: Star Wars (1977, 50th)

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Face-Off: Best Cinmatography #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Cinematography (Black-and-White): How Green Was My Valley (1941, 14th)
Cinematography (Black-and-White): Laura (1944, 17th)

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Face-Off: Best Cinematography #27.5

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Cinematography (Color): Ben-Hur (1959, 32nd)
Cinematography (Color): Spartacus (1960, 33rd)

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Face-Off: Best Art Direction #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Art Direction (Black-and-White): Anna and the King of Siam (1946, 19th)
Art Direction (Black-and-White): The Heiress (1949, 22nd)

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Face-Off: Best Art Direction #27.5

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Art Direction (Black-and-White): To Kill a Mockingbird (1962, 35th)
Art Direction (Color): Cleopatra (1963, 36th)

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Face-Off: Best Costume Design #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Costume Design: Shakespeare in Love (1998, 71st)
Costume Design: Moulin Rouge (2001, 74th)

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Face-Off: Best Sound #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Sound: Slumdog Millionaire (2008, 81st)
Sound: Gravity (2013, 86th)

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Face-Off: Best Visual Effects #27

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Visual Effects: The Matrix (1999, 72nd)
Visual Effects: Spider-Man 2 (2004, 77th)

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